India's stimulus package

Geeta Padmanabhan

indian-electionsPeople in the know – CEOs and HR consultants – have told me that the impact of global economic meltdown will be relatively less in India. Among the many reasons they proffer are
-financial conservatism

-smaller % of exports

-large local markets

-strong banking regulations.

Yesterday an activist added two:

-a lot of our money is safely stored in Swiss banks

-we can’t get poorer than this.

Of course, the IT industry has had to make “corrections”. No one talks about increments and salaries that have been pruned to jaw-closing levels. Appointment orders for fresh graduates have been put on hold. Workers have been retrenched in export oriented industries (Tirupur, Surat).

In this election year, the government and the political parties aren’t taking chances. Unlike in the US where every dollar spent comes under an electron microscope( editor’s note – we wish!), the parties here have come to a tacit understanding. We need economic stimulus. We can’t allow the country to slide into massive unemployment . We need to pump money into the markets, purchasing power into people’s hands. So we will make the general elections a grand one. We can’t let all the cash and kind to go into IPL players’ hands alone!

How does the election stimulus work?
Apart from placing full-page ads in newspapers and clippings/jingles on TV, Radio, Internet and Social networks, political parties are seeking professional help to campaign for the Lok Sabha elections.
The Congress Party has announced that it will be using the services of three advertising agencies. Rs. 150 crore has been allocated for this. If you think this is huge, well, the party doesn’t. Additional amounts will be distributed on public rallies, posters and handouts.
The party has bought the rights of Jai Ho for campaign use. (Amount paid not disclosed.)
I hear a lot of people who lost their jobs will make a killing in this election market. You get paid for joining the rallies – every party needs “crowds” to wave flags, to clap – hey, the TV cameras are rolling! In a previous election, Congress lackeys hired dancers known for their off-colour antics on stage to “attract” crowds.
Mayavathi of BSP has made huge elephant statues (1 crore each) to be placed in vantage points. I saw them. They are works of art. This is her election symbol.
It speaks to the level of maturity of the Indian electorate that they are completely bi-partisan.
The same guys will make posters for all parties (500?), do wall paintings, clean those up on election commission’s orders, and then write them again. You might even see the same crowds in all the meetings and rallies.
The same ad agencies will make posters, videos, newspaper page-outs. Ad agency Crayons has extended its services impartially to Congress, BJP, Samajwadi Party and Shiromani Akali Dal. It is not likely to go out of business ever. Ad budgets are likely to go up by 25-30% (Economic Times, Sep 23 2008) the Business Standard ran its story under the heading “Political Advertising comes of Age”. Ha!

All this is official. Unofficially, money is disbursed on the pretext of “It is our culture to give money when a kid is named.” “We always distribute cash during Holi!” All this has been caught on camera. One board in Thirumangalam whose townizens got instant fame for auctioning votes said: “Twelve votes here. Bids invited.”

Political watcher Vinod Anand writes in his report, “Unlike the US, there is no requirement for political parties in India to disclose their campaign expenditure. The media has speculated that all the political parties are expected to spend around 500 crore rupees on advertising and communication alone, which will be but a fraction of the total campaign cost.”
The report concludes, “What will be the total cost of campaigning for this Lok Sabha election? It might be enough to fund the free mid-day meal scheme in (all)our schools for the duration of this campaign. So next time you trash a publicity flier/brochure handed to you by your friendly neighbourhood politician, just consider that a kid in India went hungry to fund it.”

How much is the government spending for this great exercise in democracy?
Here is a sample: 20,140 litres of violet ink will be used in elections this year. This, when we have electronic voting machines that work.
Watch this space for more.

Picture by Bryce Edwards under Creative Commons License

What's your recession story?

recession

When times are as bad as they are now, it helps to share your troubles with others, to know that you are not alone, we are all in this together. I invite WNI readers to share their stories. Send your experience to vidya at waternoice.com and I will publish it without naming names.  Here is mine.

Silicon Valley has been insulated from the bursting of the financial and home bubble for the longest time, but the depression is inevitably creeping in here too. Our little family went from one paycheck to no paycheck and the price of our home has dropped by 30%.( It maybe more but there is only one way to find out.)

Yet we are one of the few lucky ones. We have a comfortable nest egg. Our kids are in public school and the mortgage is paid off. And like most Indian Americans, we have a fallback option..going back to India, where there is no stigma in returning to your parents’ house and using ailing and aging parents as an excuse for the move. ( Before you panic Mom, we’re not going to be needing that guest room ..just yet!!)

I shudder to think of the millions of Americans who are one illness away from bankruptcy and one monthly payment away from foreclosure. The gloomy jobs numbers and the falling Dow have completed a process started by eight years of administrative bungling by the Bush administration – the erosion of our national confidence. The one silver lining is the seriousness of the current administration in tackling the economic crisis and its holistic approach to the depression. On one hand, homeowners struggling to pay their mortgage are getting a little bit of relief in the form of renegotiated rates. On the other, schools preparing for serious cuts in staffing due to shrinking budgets can see a ray of hope on the horizon in the form of increased allocations for education.

As for us, we hope to ride out the recession in relative comfort. Fancy vacations may be off the list, but the Bay Area has plenty of local destinations reachable by car. Major home renovations are on hold, but little repairs will continue – the handyman, like the beautician, provides services that can be classified as non-essential by customers feeling the pinch; their incomes tend to crash in bad times and I want to do my bit in supporting these endangered service providers as long as  I can.

The kids are in for valuable character lessons – don’t take affluence for granted and yes, we absolutely cannot afford that new toy. If you think your life sucks because you can’t download that latest hit on iTunes, there are kids down the street who have recently become homeless. The recession is full of teaching moments for those of us who are not so badly off and if there’s one thing I want the kids to learn, it is that this is the moment to reach out and help. I plan to look around for volunteer opportunies for myself and the older kid.

Sitting in my comfortable home on a warm California day, it would not be fair to say that we are experiencing the worst of this economic meltdown but the reality that millions of my fellow citizens are experiencing is coming a bit closer.

What’s your recession story?

Chennai-style Carnatic Kutcheri, Ma!

By Priya Das

Indian Festival of Music and Dance Brings Home A Carnatic Aradhnai To NRIs in San Diego.

indian-fine-artsEvery South Indian growing up in almost every major city between Delhi and Madras has some memory of the Thyagaraja Aradhanai: Melodious singing and rhythmic beats round the clock, the crinkle of rich kanjeevarams, the sharp commentaries by mamas, the reverence on the faces of the audience as maestros ascended the heights of achievement, the performing children looking quite grown up in their pattu pavadais and mundus; the aroma of vadais and kaapi, the ongoing musical discussion at home and en route.

In a bid to echo that time, and as an initiation ritual for the younger rasikas to broad-based Carnatic music; Indian Fine Arts Academy of San Diego celebrates ‘Indian Festival of Music and Dance’ this year, 3-5 April in San Diego. Following in the footsteps of the 30 year old Cleveland Aradhana, San Diego is going to resound with the performances of 19 artists from India and 9 from the US, complete with breakfast, lunch and dinner with a down-home flavor.

Over the weekend, attendees to the festival can look forward to, among others,  such vocal maha-rathis as Sudha Ragunathan, known for her “beautiful vocal tapestries, soaring solos, and unusual timbres”; and ‘Bala Ratna’ S. Soumya. Bharati and Vijayalakshmi, renowned Mohiniyattam performers, will enthrall those looking for visual excitement. Bharati Shivaji has performed all over the world including at the  International Edinburgh Festival , Bolshoi Theatre, Moscow, and the Conservatory Theatre at St.Petersburgh, Russia. A jugalbandi will crown the festival calendar: On Saturday, Ustad Irshad Khan and N. Ravikiran will have a musical face-off. Irshad Khan, is one of the world’s best sitar players and leading Surbahar (BassSitar) player, who’s performed in over 30 countries; and Ravikiran, is a child prodigy, who continues to scale excellence both as a vocalist and as an instrumentalist.

Lending their own rich tones to those from India will be local/ US artists such as Shoba Sharma, (Bharata Natyam), Revathi Subramanian, (Vocal), Nishant Chandran (Violin), R. Radhakrishnan (Flute), Balu, Cleveland, OH (Kanjira), Kalyan Vaidyanathan (Mridangam), Raamkumar Balamoorthi (Mridangam) and Vinod Seetharaman (Mridangam). We are in the West, so can fusion be forgotten? Southern Californian Prasant Radhakrishnan, a critically acclaimed saxophonist versatile in both the Carnatic and jazz disciplines will present the unique vocal texture of his sound, noted for its expressive complexity and rhythmic ingenuity.

The goal of the Indian Festival of Music and Dance is to recreate the atmosphere that prevails at well established music halls such as the Music Academy and Narada Gana Sabha at Chennai, India. The festival will go a long way in furthering the mission of the organizer, Indian Fine Arts Academy, which was established to create an environment of learning and appreciation of Indian classical music, dance, and arts; and foster Indian culture among the younger generation of Indian Americans. Since September 2007, the organization has held 22 public benefit concerts featuring renowned classical musicians. Over 6,000 people attended and benefited from these events.

For more information, please visit www.indianfinearts.org or contact Shekar Viswanathan – shekar.viswanathan@gmail.com or Divya Devaguptapu- divyabhinaya@yahoo.com

Doing a World of Good

south-africa

Handicrafts in Kenya

Walking down the aisles of a department store, we barely spare a thought to where the cheap goods flooding the shelves come from. The term “sweatshops” is vaguely familiar, yet we don’t directly associate it with the neon t-shirt with the rocking logo that catches the eye. Desensitized to the plight of workers in developing countries slaving under near unbearable conditions, we blithely take the profusion of low-priced products for granted.

World of Good is a small organization with a big mission – to create awareness and change our attitudes towards fellow human beings who are being exploited many miles away. It attempts to shake us out of our apathetic world view not by being preachy, but by providing high-quality products that are produced ethically and fairly, with the artisan getting just compensation for his or her efforts and being able to work in humane work environments.

WOG is the creation of Priya Haji, a social entrepreneur who started creating social enterprises while still in high school. I spoke to Jagadha Sivan, who is the Director for product Design and Sourcing. “The idea is to promote “fair trade” goods without sacrificing the business element,” says Jagadha.  WOG is therefore a hybrid organization with both a profit and non-profit angle to it.

Weaving in Guatemala

Weaving in Guatemala

The non-profit side WOG: Development Organization focuses on fair wages, assistance to the artisan community and grant giving. The mission is to improve economic and social conditions for millions of artisans and their families living on less than $4 per day.  Among the many initiatives of this non-profit arm is the development of transparent fair trade practices and promotion of the same by craft companies.

The for-profit arm, called World of Good Inc, has a wholesale outlet for artisans and craftsmen from around the world. The company supplies to stores like Whole Foods and Borders as well as independent natural food stores and book stores. A collaboration with Ebay offers an online destination for their products as well.

Jagadha with artisans

Jagadha with artisans

“Our aim is to become a marketing channel for artisans and find a market for their goods in the US,” adds Jagadha who joined WOG after a long stint in the tech sector. A serendipitous trip to a remote village in Rajasthan to help a friend studying the marketing of small scale crafts made her feel she was missing out on something in her cubicled life. When she found World of Good, it seemed to mesh perfectly with her dream to put her business skills to use for social empowerment.

“World of Good is run just like any other retail business,” says Jagadha. It has received investor funding and relies on successful marketing and distribution to keep it afloat. “The anti-mass production has been slowly growing,” she adds. In these economic times, finding customers to pay the 10-20% premium on women’s accessories is harder but Jagadha insists that the primary motivation of the company is to raise awareness. “We put a product out where the customer does not have to compromise on quality, aesthetics and trends. At the same time the purchase has a social good component to it.”

For now WOG focuses on women’s clothing and accessories like bags, jewelry and dresses.  The products are available in limited quantities and change frequently. The World of Good store on Ebay is a must see for customers keen on unique products that directly benefit the producers, often impoverished villagers in countries like India, Bangladesh and Peru.

Jagadha Sivan will feature in a panel discussion in Narika’s South Asian Women’s Conference Rejuvenate:Mind, Body, Spirit.

Cupcake Crazy!

By Piya Mitra

cupcake-bouquetWho doesn’t love cake? But most of us try to avoid it. All those calories! For those of us with a sweet tooth  having to refuse that slice of cake causes a lot of heartbreak and inner turmoil and the few times that we do give in (few!! who am I kidding ? I give in almost every time) we are full of guilt.

Cupcakes give you the joy of eating cake without the guilt and it is no wonder they have become so popular in the past few years. The craze started in New York and LA. There was even a “Sex in The City” episode which featured Magnolia Bakery with Carrie and Miranda devouring cupcakes. Then there is Sprinkles Cupcakes in LA a favorite of most Hollywood stars. They opened a store at the Stanford Mall…lucky us!

Baking cupcakes is such a easy and affordable option that once you get the hang of it you’ll probably never order a cake again.( see the end of the article for a sample recipe) The trick to wowing everyone with your cupcakes is decorating them and there are many books , websites and YouTube videos available for you to get ideas from.

obama-cupcakesOne of the easiest ways to decorate is with cupcake picks. You can pick up readymade picks from party stores or make them at home. Print two copies each of any design example tiaras or animals etc. Take a tooth pick and stick the printout on both sides of the tooth pick, ice your cupcake any color you like and stick in your picks. I recently made special Obama cupcakes for my daughter’s class on the Presidents inauguration day.
They were really easy to put together and the pride in my daughters eyes as she shared
them with her class was certainly worth the effort.

For birthday parties baking cupcakes are especially effective, most kids don’t eat much cake, but it is a essential part of the celebrations that can’t be done away with, so how about mini cupcakes? I use a mini muffin pan, they are just the right size and kids usually go for seconds. The trick to serving home made cupcakes is the presentation, choose a theme and research the decoration ideas. Last year my 8 yr old daughter had a High School Musical party and here is the cupcake tree I made for her.

Once you get the hang of baking cupcakes you can start having fun with them. For Valentines this year I made these really cute cupcake bouquets.

cupcakes-for-charityLast but certainly not the least I was able to use my hobby as a means to teach my children a lesson in charity. Last year my daughters sold cupcakes at the Induz  volunteer
picnic and donated $50 to the organization.

Simplicity is the beauty of a cupcake, bake once and soon you’ll be Cupcake Crazy too!!

More details on cupcakes and other entertaining ideas at my blog.

Some useful resources for Cupcake bakers.
http://www.wilton.com/cupcakes/
http://cupcakestakethecake.blogspot.com/
http://www.joyofbaking.com

Local Cupcake shops
http://www.sprinklescupcakes.com

Kara’s Cupcakes


http://www.loveatfirstbitebakery.com/

Cupcake recipe

Red Velvet Cupcakes with Cream Cheese Frosting Recipe
Ingredients

* 3 ? cups cake flour (not self-rising)
* ¾ cup (1 ½ sticks) unsalted butter, softened
* 2 ¼ cups sugar
* 3 large eggs, at room temperature
* 6 tablespoons red food coloring
* 3 tablespoons unsweetened cocoa
* 1 ½ teaspoons vanilla extract
* 1 ½ teaspoons salt
* 1 ½ cups buttermilk
* 1 ½ teaspoons cider vinegar
* 1 ½ teaspoons baking soda

Frosting ingredients

* Frosting: 1 pound (two 8-ounce packages) cream cheese, softened and cut into small pieces
* 6 tablespoons unsalted butter, softened and cut into small pieces
* 1 ½ teaspoons vanilla extract
* 5 cups sifted confectioners’ sugar

Directions

1. Preheat oven to 350 degrees.
2.  Place cupcake papers in the tins.
3.  In a small bowl, sift the cake flour and set aside. In a large bowl, on the medium speed of an electric mixer, cream the butter and sugar until very light and fluffy, about 5 minutes. Add the eggs, one at a time, beating well after each addition.
4. In a small bowl, whisk together the red food coloring, cocoa, and vanilla. Add to the batter and beat well.
5. In a measuring cup, stir the salt into the buttermilk. Add to the batter in three parts, alternating with the flour. With each addition, beat until the ingredients are incorporated, but do not overheat.
6. In a small bowl, stir together the cider vinegar and baking soda. Add to the batter and mix well, making sure the ingredients are well blended and the batter is smooth.
7.  Bake  for 20 minutes, or until a cake tester inserted in the center of the cake comes out clean.
8. CREAM CHEESE FROSTING
9. Frosting: In a large bowl, on the medium speed of an electric mixer, beat the cream cheese and butter until smooth, about 3 minutes.
10. Add the vanilla and beat well.
11. Gradually add the sugar, 1 cup at a time, beating continuously until smooth and creamy.
12. Cover and refrigerate icing for 2 to 3 hours, but no longer.
13. When the cupcakes have  cooled, spread the frosting liberally on the cupcakes.
14. Makes 36 cupcakes.


Rejuvenate – Mind, Body and Spirit

narika-conference-flyer Bay Area non-profit Narika has been active in supporting victims of domestic violence in the Bay Area for several years (see our previous coverage here). After a few years acting as advocates for battered women, the volunteers at Narika found that there was a need to help such victims develop life skills and resources that would enable them to achieve not just emotional but financial independence so they could embark on their future with some degree of self confidence  – and so the SEED program was born.

“The objective is to extend the Narika brand,” says Shama Pagarkar, a long time Narika volunteer. “Our outreach needs to go beyond advocacy issues towards educating women. Also, despite being based in the Bay Area and serving the needs of the entire population, we don’t have much of a presence in the South Bay.”

To address these objectives, Narika is putting together an intriguing conference called  Rejuvenate: Mind Body Spirit on March 21st at the India Community Center in Milpitas. A distinguished panel of presenters has been invited to speak on wide range of subjects that affect our everyday lives. Speakers will provide information, share their own experiences and answer questions from guests.

“Our target audience is educated women,” adds Shama, who is also the chair of the conference planning committee. “The idea is to create a holistic base for women’s issues.”

The conference is divided into three sections. The first, titled “Apna Sapna Money Money”, talks about various aspects of personal finance. “Even educated women are very intimidated by finance,” says Sutapa, a Narika advocate and program manager for the SEED program. “They may be making handsome salaries but they are likely to hand it over to their husbands to manage.” The panel discussion in this section will focus on the basic terminology of finance, the mental blocks when dealing with money and will feature financial planner Saadia Ahmed and Christine Parlour, an associate professor of finance at the Haas School of Business at UC Berkeley.

The second section, termed “Dil Chahta Hai” talks about the opportunities women have to follow their bliss and get engaged in activities outside the rat race. Artist Tanya Momi, Jagadha Sivan from the World of Good and yours truly make up this panel and we will talk about what it feels like to be out of the rat race and doing what we love.

The third workshop, called “Sundar Hoon Aisi Mein“, touches on a facet of life that women ignore or take for granted while they are busy looking after their families – their own emotional, physical and sexual needs. Fitness trainer Shobha Reddy will join counselor Naheed Shaikh and sex education expert Catherine Toyooka to talk about how and why women should feel comfortable with their bodies and treat themselves with respect.

The conference ends with a talk by Fremont Councilwoman Anu Natarajan on encouraging women to give back to their community – whether via community service, volunteerism or pursuing a career in public service. She will talk about how women can have an impact in the communities where they live.

Rejuvenate – Mind, Body and Spirit is Narika’s first annual conference of its kind. It fills a much-neglected need for women to reach out and support each others’ endeavors while daring to explore their own needs and life goals. Tickets for the event are $15 and include breakfast, lunch and childcare ( for children 2-12 yrs). Tickets are available at http://www.acteva.com/booking.cfm?bevaid=173462 or by calling Narika at 510 444 6068. Buy your tickets today.

Delhi 6: Quixotic

delhi-61With Rakeysh Omprakash Mehra, one is never quite sure what one is going to get. The former ad maker directed the successful and critically acclaimed Rang De Basanti in 2006 but it took a good five years before that for us to forget the wildly experimental Aks, a nightmarish movie featuring long Hamlet-style soliloquies and body-swapping killers.

Delhi 6 falls somewhere between the two. It has somewhat of an activist message like RDB and uses totems and symbols like Aks. The storyline is thin. NRI Roshan( Abhishek Bachchan) returns with his grandmother to the crowded Delhi district where generations of his family lived, wall-to-wall( literally) with many old friends and neighbors. He gets to experience the chaotic, claustrophobic and closely-knit community his parents left behind when they moved to America and to decide whether he belongs there.

That is about it. The movie is a series of snapshots of life in Delhi( Zip Code 6); the interfering neighbors, the family squabbles, the communal relationships that, despite the avowals of harmony can change from love to hate in a flash.

The film is heavy with symbolism; Roshan is the new India – western-oriented but with a yearning to connect with his roots. His love interest Bittu(played by a charming Sonam Kapoor) is the middle class girl struggling to break free of the shackles of her culture and environment. That she attempts to do so by auditioning for a reality show is a piece of delicious irony. (Television is considered to be one of the driving forces in creating the appetite for material goods that could propel the apathetic suburban India into the new century.) Grandmother Annapurna( Waheeda Rehman) represents the conservative India – affectionate and loving but also religious and superstitious, she is content with letting the status quo be, whether it is treatment of untouchables or communal tensions. “Stay out of it” is her guiding principle.

Then there is the “Black Monkey”. It is a mythical figure that is referred to from the first scene of the movie yet no one ever sees it. The monkey functions as a potent symbol of all the amorphous fears that divide and separate Indians from each other, a mirror to the evil that lies in all of us, a point the filmmaker drives home without subtlety in the form of a madman who carries around – you guessed it – a mirror. The monkey, a source for many comedic moments, is also the catalyst for the shocking denouement of the film. (SPOILER ALERT: Squeamish viewers can rest assured that all is well at the end.)

Delhi 6 is an experimental film and I applaud the fact that movies like that, with no coherent narrative but lots of style can find financing in these times. Perhaps the producers were expecting another Rang De. If so, they (and you) will be disappointed. It is not a film made for box-office success. Rather it is a meandering, nostalgic trip down memory lane, a director’s indulgence that really doesn’t care if you like it or not. The only concession to the audience is the presence the two leads and an ensemble of excellent actors, many of whom have just one or two lines.

Abhishek Bachchan is at his relaxed best. His chemistry with Sonam is great though the relationship is not fully developed in the movie. Vijay Raaz as the abusive local law enforcement is pitch-perfect. Other art-house stalwarts like K.K.Raina and Atul Kulkarni give the movie a polished professional touch.

Delhi 6 is a very well-produced, well-directed and well-acted movie. But those expecting a conventional film with a beginning, middle and end can skip it. It is meant for audiences with the patience and curiosity to explore a different kind of artistic vision.

My Rating: 2.5 stars out of 5.

One thing we Indians are really good at!

A poster of Telegu film star Chiranjeevi contesting the upcoming elections in Andhra Pradesh

hyd

On a slightly unrelated note, aren’t the first few notes of the the “Jai Ho” song reminiscent of the first few lines of ABBA’s “Money, Money, Money”? Before you pull out the pitchforks( I’m already ducking for the rotten eggs), my intent was not to suggest that A.R. Rahman is guilty of plagiarism( I’m sure he isn’t) but that ABBA may have been a little underrated.

The wheels squeak in sleepy Fremont

protest“The squeaky wheel gets the grease” is the aphorism by which community activists live. And the biggest community organizer of them all is the President of the United States today. But the sleepy suburban town of Fremont is hardly the typical setting for activism. A bedroom community in the Bay Area with a large population of immigrants, the city has muddled along with haphazard development plans for years, with only fringe input from its residents.

But the recent plan to relocate the A’s stadium to one of a possible couple of locations in south Fremont galvanized the usually apathetic community. NIMBY! ( Not In My BackYard) was the rallying cry, as horrified residents in one of the best school districts in the city contemplated the repercussions of traffic, crowding and strain on essential city services. The emotion was strong enough that a quick web group was formed, the Fremont Citizens Network, which actively began advocating against the presence of the stadium.

Deepak Alur is one of the founders of the Fremont Citizens Network. He and his friends enlisted the help of experts in the field to determine the impact of building a stadium on a city and quickly came to the conclusion that no stadium construction has ever benefited a city in the long run.

In the beginning the concerned residents communicated by email.  As the numbers grew, Deepak and his fellow techies decided to create a community group called the Fremont Citizens Network with a website that would keep track of the research, resources and plans involving the stadium project.

As befits Silicon Valley, the group is purely a web-based one. The power of the internet was harnessed to  mobilize the group  to protest the stadium on Tuesday, February24th, right outside the City Hall, where the city council was due to have its meeting about the project.

This was not the first outreach for FCN. “The first thing we did was to ask the city council if they were interested in the research we had done,” says Deepak. ” I went to the city council meeting and was given 2 minutes to talk about it.  The response of the city council was that it was too premature to be talking about the project at the time. But within a few days members of the council were making public statements about the stadium coming to Fremont.”

Members of FCN also attempted to present their findings to the Fremont Planning Commission but were rebuffed. That’s when the idea of the protest was formed. “We were dismayed at the lack of transparency and openness in the dealings of the city,” says Deepak. The protest was a way of getting the attention of the city government.

For a small web-only group, FCN has been surprisingly successful. Perhaps the current economic climate has made the development of the stadium less viable but there is no doubt that FCN’s activism made it clear to the parties concerned that the residents of the city were not going to passively accept the decisions of the city council.

A letter from the developer for the project, Lew Wolf, arrived at the eleventh hour, withdrawing from the project, somewhat taking the wind out of the protest’s sails.

But the protest went on anyway. Not being a fan of the stadium project myself, I took my 13-year old to his (and my) first protest yesterday. A large group of Fremont citizens stood on the sidewalk outside the City Hall holding signs saying “Fremont First” and “No Stadium”.( One even asked for Mayor Bob Wasserman’s recall!) Knee-high little kids chanted “No stadium”, “No Stadium”, probably the first few words of their vocabulary. The protesters represented Fremont’s diversity, with an equal number of Indian Americans, Asian Americans and Caucasians. Pizza, chips and protest signs were being distributed.

“It was a humbling experience,” adds Deepak. “Ours is not a funded group but some members just decided to pitch in on their own.” Someone brought the pizza while another distributed T-shirts with the words ,”No Stadium”. Deepak himself got some FCN caps printed for the main organizers.

I talked to protester Shaital Desai who was there with her husband. “This was just too important an issue not to be involved,” she said. She had come in reponse to the email alert sent out by FCN and did not know any of the other people there.

The number of protesters kept growing. An unofficial count put it at 521, which is really significant in a population of just about 250,000. People spilled over to the roads and had to be herded by policemen so as not to obstruct traffic but it was all very peaceful and non-confrontational.The spirit was buoyant and when my son and I left around 7:15 the protest was moving to the main street.

Cars driving by showed their support by honking. Deepak contends that once the populace is informed of the facts surrounding the stadium project, even residents not too concerned about it today will reject it. That is why FCN is now moving forward to assure two things. One that the project is not resuscitated quietly once the fuss dies down and secondly that the matter be eventually put to a vote so that it is taken care of for the foreseeable future.

It was remarkable to see community activism in action. One hopes that through the FCN, the citizens of Fremont have a united voice for their concerns. To paraphrase President Obama’s line from yesterday’s Address to the Congress, “We all love this city and want the best for it.”

For more informationabout the Fremont Citizens Network click here.

A billion Indian voices went “Jai HO!”

By Geeta Padmanabhan

rahman-oscarsA billion Indian voices went “Jai HO!” as AR Rahman stepped on stage to accept his second Oscar statuette at the Kodak Amphitheater. Crackers were burst in front of his house, his sister was caught gushing about brother Rahman on TV cameras. A nation stood up and applauded.

People in the streets, teashops, hotel rooms, offices, buses, trains, beaches and hospital wards screamed, clapped and hugged as Slumdog Millionaire was called again and again for the various awards. India was awake at 4:30 am – the hour the live telecast on TV began for this big event. And held its breath.

The movie had generated incredible buzz – both good and bad – since its huge success at the Golden Globe awards. Reporters had not wasted even the remotest angles for their stories. Every entertainment slot had something on SM. Who is Dev Patel? How was the cesspool scene done? (Chocolate and peanut butter). They were helped with more than the usual grist by Amitabh Bachchan who made some oblique remark in his blog about the movie. AB was quoted and misquoted. He had “accused” the movie makers of selling India’s poverty abroad.

Then came the questions. “Why didn’t SRK play the games show host?” “Was the movie a success because a foreigner had directed and marketed it?”
As the movie began to make huge box office collections, the accusations turned socio-political. “SM owes its huge success abroad to the slum kids, slum scenes, slum story, slum what-have-you,” said a student on the NDTV show featuring Boyle, Dev, Tandon, Kapoor and Simon Beaufoy.“What are you going to do for them?”
“Goood question,” sidestepped Boyle.
“Why was the name in Q & A changed to Jamal?” asked another kid.
“A multi-religious name (in the book) is a beautiful idea. But movies work on emotions,” said Beaufoy.

The interviews with the cast and crew went on and on – you saw Anil Kapoor and Irfan on one channel, flip, there were Dev Patel and Frieda Pinto on another, flip, the kids on the third, flip, the entire main crew (include Lovleen Tandon) on the fourth, even while you heard Rahman’s voice on the FM waves.
Is this unprecedented national response because we are movie-mad? I don’t think so. A lot of people haven’t seen anything of the movie beyond the clippings rolling behind the studio interviews. There are millions of people in India who speak neither Hindi nor English. A movie about violence and slums, so what’s new?

India’s heart beats for AR Rahman. He is the binding force. People know him. They hum, sing and perform his songs. They have been doing it since his Roja days. His tunes, whether Chinna Chinna Aasai or Kwaja oh Kwaja bring a deeply felt resonance. No, it isn’t movie-madness. It is music-madness. Hs music fills the potholes of Indian life.

Congratulatory messages flew across the globe to him and Rasul and Prasanna, who made the music for Smile Pinki, the award winning documentary. Actor after actor was interviewed through the day. “I waited like I was waiting for my Board Exams,” said Surya. “Rahman richly deserves this award,” said Ilayaraja’s son. Kamal Hasan said something similar.

What did the awardees say in their acceptance speeches? Rasul talked of the silence before and after “Om” and dedicated the award to the nation. Rahman likened his emotions at the moment to his marriage jitters. He looked genuinely pleased as he pointed his mother in the audience. And then he endeared himself to the 10 crore Tamilians across the globe by invoking god in Tamil. He sang in Hindi, was awarded in English and he thanked God in Tamil. In that instant, he became a local, national and global boy. The boy who chose love over hate.

I spoke to him on the 7th January. He was a member of the jury that selected disabled candidates for the CavinKare Ability Awards. Talking of the disabled achievers, he said, “I should have been in London for the BAFTA celebrations. But I’m happy to be with these (disabled) stars rather than the movie stars.”